| ||||||
|
| ||||||
|
| ||||||
|
steve kattenbraker - press "Songwriter to take seriously…poetic lyrics… expertly played acoustic guitar… Check him out now; he’ll restore your faith in the singer-songwriter genre.” earvolution.com
"Pinus has a strange and slow electronic freakout section in the middle of it which is more Red House Painters or American Analog Set than Elliott Smith…that hushed atmosphere in which his songs exist is at once both familiar and intricately unique…" shmat records - shmat.com
"Part Eliott Smith, part L. Cohen, as run through the production wringer of Daniel Ash…Kattenbraker’s baritone voice is pleasant and soothing. The guitar work sweet and mellow and, might I add, deftly played…” Portland’s Music Liberation Project
“Throughout this self-titled album, he prods gently but insistently, persistently. The tension you feel during your first listen is his dusky but irrepressible voice loosening your mind and body... The strange, wispy sounds that occasionally permeate the soundscape... as in the excellent instrumental ["Finally"], help him to work you all over. He gets the low end. He gets the murky things. He hits all the important places...You'll listen a second time just to extend the feeling you got as you finished your first spin, and you'll listen a third time because there's a lot to love here." splendidezine.com "Each of the eight years since Jeff
Buckley drowned in a Memphis river, Uncommon Ground has hosted an intimate
tribute of his life and music. More than 200 musicians submitted demos,
hoping to play at the latest show. [12] artists made the cut. Over the
years, some have come from as far England, Italy and Denmark. The night became a celebration of all
things Buckley; artists came from Washington D.C., Seattle, and a few
blocks away on Western Avenue. "He played a Jeff Buckley tribute in Chicago and it’s Buckley that he often must turn to for inspiration. His voice is tender, almost sweet if you will, but never sounds contrite. Having played music ranging from jazz to math rock, he certainly has a slew of influences that he culls from but I dare say that underneath it all is a love of singer/songwriters who wear their hearts on their sleeves (think of Elliott Smith, Buckley, and Dylan). The subject matter throughout the album is very topical and deals with the essentials of life and all of its wonderful mysteries. All of it told through the bright expressive eyes of Steven Kattenbraker and his poetic lyrics that are so damn thoughtful you feel like he’s scratching your own brain. This album is highly recommended." smother.net
C'est une sensation du matin. Il fait froid. Je me réveille. Cotonneux. Dehors, le jour a abandonné son terrain vague à la grisaille. Je reste planqué sous les couvertures en pensant à un autre terrain vague, mon enfance. Je revois les lieux pendant que ma main cherche en aveugle la télécommande de la platine cd et la trouve au moment où la mise au point sur le passé est réglée. Machinalement, j'appuie sur "on" puis négligemment sur "shuffle". Une guitare, des vagues, plusieurs mouettes et la voix spaciale et aérienne de Steven Kattenbraker déchirent le voile brumeux résiduel de la nuit. Je m'assieds, pose un pied sur le parquet. Il est glacé. Je replonge sous les couvertures. Dans la chanson de Kattenbraker, il est question de requins, os et ailerons, réalités et chimères. Il y est. Dans le volume 6 de Ball of Wax. D'été et d'une mare. Un souvenir d'enfance. Comme ma cabane. ikhtonie.net
|
![]() | |
| Start Line | Shows | Songs - Audio & Lyrics | News | Bio | Contact | Links ![]() | ||